DESCRIPTION

The New York Times bestselling author returns with an irreverently sexy, tender, hilarious and surprising novel about a woman upending her life.

A semi-famous artist announces her plan to drive cross-country, from LA to NY. Thirty minutes after leaving her husband and child at home, she spontaneously exits the freeway, checks into a nondescript motel, and immerses herself in an entirely different journey.

Miranda July's second novel confirms the brilliance of her unique approach to fiction. With July's wry voice, perfect comic timing, unabashed curiosity about human intimacy, and palpable delight in pushing boundaries, All Fours tells the story of one woman's quest for a new kind of freedom. Part absurd entertainment, part tender reinvention of the sexual, romantic, and domestic life of a forty-five-year-old female artist, All Fours transcends expectation while excavating our beliefs about life lived as a woman. Once again, July hijacks the familiar and turns it into something new and thrillingly, profoundly alive.

ABOUT THE AUTHOR

Miranda July is a writer, filmmaker, and artist. Her debut novel, The First Bad Man, was an instant New York Times bestseller, and her collection of stories, No One Belongs Here More Than You, won the Frank O'Connor International Short Story Award. Her writing has appeared in The Paris Review, Harper's, and The New Yorker. July lives in Los Angeles.

REVIEWS

"July's novel is hot and weird and captivating and one of the most entertaining, deranged, and moving depictions of lust and romantic mania I've ever read." —New York Magazine

"A novel that presses into that tender bruise about the anxiety of aging, of what it means to have a female body that is aging, and wanting the freedom to live a fuller life...Deeply funny and achingly true." —LA Times

"All Fours possessed me. I picked it up and neglected my life until the last page, and then I started begging every woman I know to read it as soon as possible...Miranda July has given women in their 40s something totally new to want, plus permission to want it." —Emily Gould, The Cut