DESCRIPTION

In this modern translation by acclaimed Elena Ferrante translator Ann Goldstein, Forbidden Notebook centers the inner life of a dissatisfied housewife living in postwar Rome.

Valeria Cossati never suspected how unhappy she had become with the shabby gentility of her bourgeois life--until she begins to jot down her thoughts and feelings in a little black book she keeps hidden in a closet. This new secret activity leads her to scrutinize herself and her life more closely, and she soon realizes that her individuality is being stifled by her devotion and sense of duty toward her husband, daughter, and son. As the conflicts between parents and children, husband and wife, and friends and lovers intensify, what goes on behind the Cossatis' facade of middle-class respectability gradually comes to light, tearing the family's fragile fabric apart.

An exquisitely crafted portrayal of domestic life, Forbidden Notebook recognizes the universality of human aspirations.

ABOUT THE AUTHOR

Alba de Céspedes (1911-1997) was a bestselling Italian-Cuban feminist writer greatly influenced by the cultural developments that led to and resulted from World War II. In 1935, she was jailed for her anti-fascist activities in Italy. Two of her novels were also banned--Nessuno Torna Indietro (1938) and La Fuga (1940). In 1943, she was again imprisoned for her assistance with Radio Partigiana in Bari, where she was a Resistance radio personality known as Clorinda. After the war, she moved to Paris, where she lived until her death in 1997.

REVIEWS

"From the novel's first line--"I was wrong to buy this notebook, very wrong"--the notebook is equally freighted with self-flagellating judgment and a burning, mysterious desire. Unbeknownst to her husband and children, Valeria begins to keep a record of her observations and feelings, first haltingly, then with increasing urgency and insight. Her practice of writing becomes one of shocking self-recognition, as she begins to reacquaint herself with the person she is--or could be--outside the restrictive role she plays in the family . . . it is the very smallness of "Forbidden Notebook's" scope that makes it so powerful."—Sarah Chihaya, The New Yorker

"In her diary de Céspedes confides, "I will never be a great writer." Here I take her to task for not knowing something about herself--for she was a great writer, a subversive writer, a writer censored by fascists, a writer who refused to take part in literary prizes, a writer ahead of her time. In my view, she is one of Italy's most cosmopolitan, incendiary, insightful, and overlooked."—Jhumpa Lahiri