DESCRIPTION

NEW YORK TIMES BESTSELLER - From one of our most iconic and influential writers, the award-winning author of The Year of Magical Thinking a timeless collection that reveals what would become Joan Didion's subjects, including the press, politics, California robber barons, women, and her own self-doubt.

Didion's remarkable, five decades-long career as a journalist, essayist, novelist, and screen writer has earned her a prominent place in the American literary canon, and the twelve early pieces collected here underscore her singularity.--O Magazine

These pieces from 1968 to 2000, never before gathered together, offer an illuminating glimpse into the mind and process of a legendary figure. They showcase Joan Didion's incisive reporting, her empathetic gaze, and her role as an articulate witness to the most stubborn and intractable truths of our time (The New York Times Book Review).

Here, Didion touches on topics ranging from newspapers (the problem is not so much whether one trusts the news as to whether one finds it), to the fantasy of San Simeon, to not getting into Stanford. In Why I Write, Didion ponders the act of writing: I write entirely to find out what I'm thinking, what I'm looking at, what I see and what it means. From her admiration for Hemingway's sentences to her acknowledgment that Martha Stewart's story is one that has historically encouraged women in this country, even as it has threatened men, these essays are acutely and brilliantly observed. Each piece is classic Didion: incisive, bemused, and stunningly prescient.

ABOUT THE AUTHOR

JOAN DIDION is the author of five novels and ten books of nonfiction, including The Year of Magical Thinking and Blue Nights. Born in Sacramento, California, Didion lived in New York City. She died in 2021.

HILTON ALS is the author of The Women and White Girls. He is a staff writer for The New Yorker and teaches at Columbia University.